Please give a Meep-worthy welcome to Armand O'Bryan, a friend IRL who shares an appreciation with me for nom de plumes. Friday the 8th, we both attended Baltimore Vocal Arts Foundation's latest cabaret. Now, for a word from our guest blogger!
Cabarets and dinner theater are not usually the places I
expect to find innovative programming, but I was pleasantly surprised by
the Baltimore Vocal Arts Foundation July 8th at Germano's
Trattoria in Little Italy.
Titled "Journeys - A Cabaret About The
Places Life Takes You", this mini-production, lightly staged in the
compact confines of Germano's Cabaret room, featured a highly eclectic
combination of song literature, thematically tracing aspects of the
emotional journey from cradle to grave. At first glance I thought I
might find the juxtaposition of art song and Broadway ballad or blues
unsettling, but for the most part this was not the case. Some repertoire
combinations worked better than others, the most successful being Laura
Stuart's rather amazing stylistic metamorphosis as she moved from
Massenet's challenging "Je suis encore" from Manon, to a full out Broadway belt rendition of "Here I Am" from Dirty Rotten Scoundrels'".
All the artists exhibited a surprising degree of stylistic
versatility, switching easily between classical and contemporary
repertoire. Some stand out moments included baritone Michael J. Begley's
rendition of "How Many Miles" from Kurt Weil's Lost In The Stars, soprano
Adrienne Webster's bluesy, heart wrenching singing of Leslie Adam's
"The Heart of A Woman", and Robyn Stevens' transcendent rendition of
Rorem's "Ferry Me Across The Water". While I found the placing of "For
Good" at the end of the program a little too blatant an appeal for knee
jerk water works, and the encore audience sing-along of "Somewhere Over
The Rainbow" tacky, I still have to applaud the tender and tasteful
interpretation of Schwartz offered by Stuart and Webster, whose
performance left me thinking: "how nice to hear this sung by real
voices".
For a
company that's only a year old, BVAF has done an impressive job,
establishing presence and high performance quality. I've been lucky
enough to attend and work for a number of their shows over the past
year, and their latest show, Journey's, is just proof to me that they're
going to keep getting better.
We Sing, We Dance, We Go Home Happy,
-Maria (and Armand!)
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