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was sold to gypsies as a small child for half a tank of gas and a kitten. She was quickly, if not easily, retrieved by her mother after the kitten was revealed to be an Eldrich horror looking for a ride into the nearest metropolitan area to begin wreaking havoc. It's been a bone of contention between Maria and her family ever since, whether the Horror-kitten would've been more or less trouble than she grew up to be.
Showing posts with label anthologies. Show all posts
Showing posts with label anthologies. Show all posts

Friday, May 18, 2012

Book Review: Welcome to Bordertown

From Goodreads:

Bordertown: a city on the border between our human world and the elfin realm. Runaway teens come from both sides of the border to find adventure, to find themselves. Elves play in rock bands and race down the street on spell-powered motorbikes. Human kids recreate themselves in the squats and clubs and artists' studios of Soho. Terri Windling's original Bordertown series was the forerunner of today's urban fantasy, introducing authors that included Charles de Lint, Will Shetterly, Emma Bull, and Ellen Kushner. In this volume of all-new work (including a 15-page graphic story), the original writers are now joined by the generation that grew up dreaming of Bordertown, including acclaimed authors Holly Black, Cassandra Clare, Cory Doctorow, Neil Gaiman, Catherynne M. Valente, and many more. They all meet here on the streets of Bordertown in more than twenty new interconnected songs, poems, and stories.
Yes, yes, this is my second anthology review in as many weeks. Shut up, I've been finding some really good ones.

I'm not quite sure why I didn't pick up Welcome to Bordertown when it first came out, other than A) I was busy with finals and I forgot about it, and B) I'm occasionally really stupid and doubt the awesomeness of authors. Thankfully, Cassandra Yorgey saw that I was blind and showed me the light. Namely, she did this by scoring me a pass to FaerieCon East where I got to meet AND HAVE TEA with Ellen Kushner and Delia Sherman (Guys! Ellen Kushner bought me tea!) so that I would understand their awesomeness, and then she lent me her ARC to read. Now I keep this book next to my bed, beside my Ultimate Hitchhikers Guide, in case of emergencies.

The Good:

Beautiful writing by a ton of authors, many of whom I know and others I am looking forward to reading more from. Welcome to Bordertown really explores and makes use of the best aspects of writing in an anthology. There is a world - Bordertown - that has established rules, geography, history, which must be obeyed by everyone. But working within those rules, writers can do whatever they want. And that leads to a collection of stories as varied as the dwellers of Bordertown themselves. Characters of every ethnicity, gender, species, age, sexual orientation, etc can find a place and a voice in the stories of Welcome to Bordertown - which, by the way, is a great way to make readers feel welcome.

The stories progress in a sort of chaotic order. In the first few stories, we're introduced to this hopeful new world, where the misfits and unorthodox have a place and anything is possible. More stories expose us to everyday life in Bordertown and the risks it poses to its' occupants, both old and new, stripping away some of the promise of Bordertown and turning into a place like any other. Full of dangers. Full of opportunities. Just like everywhere else. Finally, as we near the end, we see the darker side of Bordertown, with its injustices and the people willing fight against them. It's a beautiful storytelling arch, showing us that even with magic and faeries, you can't run away from your problems forever. Happily ever afters must be fought for constantly.

The Bad:

There's not so much Bad in this anthology as there are personal requests. More comics. Fewer poems. More poems. No comics at all. Why is there a motorcycle on the cover?

The Rest:

My standard warning for anthologies applies here: Not all stories are created equal. It is more than likely that readers are not going to like every story in here. But you're going to like an awful lot of them, I promise.

Final Thoughts:

Beyond being great YA, this is just a great book period. I would recommend it to anyone interested in fantasy, and frequently do. I sincerely hope it won't be another 13 years before the next Bordertown book comes out.

My Rating: 5/5 Mushrooms.

Saturday, May 12, 2012

Book Review: Steampunk!

This cover is even more impressive in person.
From Goodreads:

In the first major YA steampunk anthology, fourteen top storytellers push the genre's mix of sci-fi, fantasy, history, and adventure in fascinating new directions.

Imagine an alternate universe where romance and technology reign. Where tinkerers and dreamers craft and re-craft a world of automatons, clockworks, calculating machines, and other marvels that never were. Where scientists and schoolgirls, fair folk and Romans, intergalactic bandits, utopian revolutionaries, and intrepid orphans solve crimes, escape from monstrous predicaments, consult oracles, and hover over volcanoes in steam-powered airships. Here, fourteen masters of speculative fiction, including two graphic storytellers, embrace the genre's established themes and refashion them in surprising ways and settings as diverse as Appalachia, ancient Rome, future Australia, and alternate California. Visionaries Kelly Link and Gavin J. Grant have invited all-new explorations and expansions, taking a genre already rich, strange, and inventive in the extreme and challenging contributors to remake it from the ground up. The result is an anthology that defies its genre even as it defines it.
I picked this baby up at the Baltimore Book Festival last September, during Libba Bray's book signing. I'm still fairly new to Steampunk as a genre and in some cases a lifestyle. However, it's an area that I've been finding increasingly comfortable, and when I saw this anthology, with so many authors I already love, I jumped on it. If you doubt the awesomeness, check out this list of authors who are in here:

M. T. Anderson
Elizabeth Knox
Ysabeau S. Wilce
Delia Sherman
Christopher Rowe
Garth Nix
Kathleen Jennings
Dylan Horrocks
Cory Doctorow
Cassandra Clare
Libba Bray
Holly Black
Shawn Cheng
Kelly Link

Lookit that list. Isn't it a nice list? That is one fine list.

The Good:

This is one of the best anthologies I have ever read. Out of 14 stories, almost every one is in the 4-to-5-star range. The big name authors don't disappoint. Libba Bray, Cory Doctorow, and M. T. Anderson probably have my favorite stories. However, some of the lesser know authors have their shining moments too, like Delia Sherman, Kathleen Jennings, and Elizabeth Knox. I won't say that everyone brought their A-game, but I never felt like anyone was coasting, happy to settle for a passing grade.

While I've been developing a growing love affair with steampunk lit, I love that this anthology is filled with authors who haven't written in this genre before. Or if they have, it hasn't been their first choice. Where so many steampunk writers seem to think of the world before the story, these are simply authors who have taken on the concept of steampunk - however they interpret that - and used it to accent a plot or a character. And for that, I feel that the impact and depth of the world is so much more potent, giving steampunk an emotional resonance that the casual steampunk reader may overlook.

The Bad:

The flaw of all anthologies applies here; simply, not all stories are created equal. Though they are few, a few of the stories just felt out of place with the rest of the collection. I won't name names, as I think some of them are still fine stories if not exactly right, but I think readers will be able to spot the odd man/men out.

The Rest:

The stories rise and fall in merit based largely on personal preference. I'm certain that a few will stand out to everyone, the rest will probably find their rating in the tastes of the readers and their vision of steampunk.

The vision of steampunk is a big part of what this collection captures. The stereotypical steampunk story is set in Victorian London and features women in corsets and men with fabulous coats and secret agendas. This is a very fun stereotype in the hands of the right writer. But the stories in this collection go well beyond the known and accepted boundaries of the genre, taking it from Ancient Rome to Australia and Appalachia and the future. I'm not going to say that Steampunk! breaks any new ground. However, it introduces young adult readers to a genre they may think only applies to nineteenth century England and shows them that it can be anywhere through the writing of authors they already know, love, and trust.

Final Thoughts:

I think fans of steampunk and readers who are new to the genre will find this a fantastic collection. I like to think of it as a gateway drug to the world of steampunk. It certainly helped me find my feet and dive in.
 
My Rating: 5/5 Mushrooms






Saturday, January 22, 2011

Book Review: Machine of Death

As I said in my last post, my numerous reviews in process were deleted before I could finish them. But I have short reviews for some of them on Goodreads and scribbled in journals, so I'm going to try post little blurbs for the things I've read and listened to since fall semester before I go back to school next week. I'd like to write more, of course, but - well, I'll do what I can when I can.



Like all anthologies, some stories are better than others. However, the concept - a precocious machine in the not too distant future can tell you how you're going to die - is fantastic, and the writers rise to the occasion nicely.

The stories examine the affect such a machine has on the people who share a world with it, both individually and society at large. They run the gamut from funny to tragic, scary to poignant. An additional selling point are the illustrations at the beginning of each new story.

The website, machineofdeath.net offers free pdf ebooks, but this is a book I plan on buying in hard copy as well.

Sunday, August 8, 2010

Book Review: Zombies Vs Unicorns

In February of 2007, the YA world was rocked when writing rock stars Holly Black and Justine Larbalestier got into the mother of all absurd arguments. Lines were drawn, sides were taken, the YA community was ripped in half as everyone rushed to proclaim which team they were on in the epic battle to decide which was cooler: zombies or unicorns.

Since then, fans have eagerly awaited the release of the Zombies vs Unicorns Anthology, a book which would, hopefully, settle the matter once and for all. Holly(Team Unicorn) and Justine(Team Zombie) spent months collecting the creme de la creme of YA authors to their sides. And on September 21, 2010, readers will at last get to see the final battle in print.

But I've got an ARC sitting all nice and tidy and signed on my shelf. Why yes, I am pretty darn smug about it.

I struggled with this review for a bit, trying to decide how I wanted to go about it: did I want to review each story individually or the book overall? Of course, I've decided to do a little of both.


The Good:

There are no bad stories in this anthology. None. Readers are free to discern which stories to read based on interest, author, and team preferences. Of course some stories shine more than others. "Love Will Tear Us Apart" by Alaya Dawn Johnson seems to be a Team Zombie favorite, while Diana Peterfreund's "The Care and Feeding of Your Baby Killer Unicorn" - a spin-off of her Rampant series - is raking in the praise from Team Unicorn. When I said that Holly and Justine had used the creme de la creme for this anthology, I wasn't kidding. Sure, the individual stories have trip ups - Carrie Ryan's "Bougainvillea" has some pacing and organizational issues, while Meg Cabot's contribution to Team Unicorn irritated me (though I consider that a reflection of my own personal tastes since I haven't liked anything by Meg Cabot) - but the anthology starts strong and finishes the same.

The Bad:

Sadly, the only part of Zombies vs Unicorns that consistently detracted from the book was Holly and Justine's introductions of stories. In the forward, their bickering was amusing. It set the tone, and reminded readers that this was done in fun. But from the first story on, I noticed a trend: Holly would talk about the merits of the story while Justine would toot her proverbial horn in favor of Team Zombie and leave it at that. This was still funny for the first few introductions, but three stories in, it lost it's charm.

If Holly had mirrored Justine's behavior once or twice and simply said "Team Unicorn" over and over again, or better yet, if Justine had talked about the merits and pitfalls of a story beyond 'it has unicorns, it sucks' or 'it has zombies, it rules', - I think there would have been a much stronger sense of equality between the anthologists. As it was, I began entering each story wanting to hit Justine with something or hoping that Holly would on my behalf.

The Left-overs: 

Maureen Johnson, "Children of the Revolution" has MORE than made up for my disappointment with "Law of Suspect" in the Vacations from Hell anthology. Congrats.

My Rating: 4.5/5 Mushrooms



Team Unicorn Forever,
Maria D.

Monday, July 26, 2010

What Are You Reading 7/26

 
It's a question as old as time itself: which is better, the zombie or the unicorn? In this anthology, edited by Holly Black and Justine Larbalestier (unicorn and zombie, respectively), strong arguments are made for both sides in the form of short stories. Half of the stories portray the strengths--for good and evil--of unicorns and half show the good (and really, really bad-ass) side of zombies. Contributors include many bestselling teen authors, including Cassandra Clare, Libba Bray, Maureen Johnson, Meg Cabot, Scott Westerfeld, and Margo Lanagan. This anthology will have everyone asking: Team Zombie or Team Unicorn?

- from Goodreads
 I got my hands on this long awaited anthology at BEA. I love it. I'm almost finished with it. But even having not finished it, I can tell you with great authority that you should go out and get it the DAY IT IS ON SHELVES. Or you can pre-order it. That works, too.

Eat (brains), Love (unicorns), Pray (for bigger guns),
Maria D


Ps - TEAM UNICORN FTW

Monday, April 5, 2010

What Are You Reading 4/5

It's Monday! Time to implement my schedule, starting with What Are You Reading, a meme hosted by One Person's Journey and which I found out about and filched from Emma. (I am the epitome of original.)

This week I've been reading a couple of things. First, since I'm coming out of spring break, I've been reading Vacations from Hell, an anthology of horrific vacation tales, written by five young adult authors. Libba Bray, Cassandra Clare, Maureen Johnson, Claudia Gray, and Sarah Mylnowski.

So far, I've only read two of the 5 stories all the way through; Maureen Johnson's Law of Suspects and Libba Bray's Nowhere is safe.

These stories show what a mixed bag anthologies can be quality wise, and also the differences in writing that can appear when comparing an authors short stories to their longer works.

Maureen Johnson: Law of Suspects

Personally, this story left me feeling room temperature. It was an excellent premise in my opinion; trapped in the French country side, the victim of a cursed story, with no clue who the murderer will be. The idea of it excited me then and now. It's one of those stories which I think someone else could flesh out into a full novel. But I digress. Overall, I liked the idea. Execution, however....

I like Maureen Johnson's voice. Devilish is one of my favorite YA books, and I recommend The Bermudez Triangle to everyone. But it's a voice that doesn't always work in every situation. It fell a little flat in this one. Whenever I was getting involved in the suspense, something, a throwaway sentence or just the phrasing of the narrators thoughts, would rear up and drag me back out, and I'd hope she died. Maybe this wouldn't have bothered me as much if the story were longer and I had more time to get used to the main character. Also, do make outs have to be in EVERY short story? Are they really THAT necessary? Or am I just not feeling the love? Discuss.

I really liked the ending though. Overall, good bones of a story. Needs a hell of a lot of elbow grease to make it as awesome as it could and should be.*

Moving on the Libba Bray.

Libba Bray: Nowhere is Safe

This was the first story I read, even though it's at the end of the book. This story had a lot of modern day Poe and Lovecraft feeling to it. She even named the main character after Mr. Poe (a giant plus in my book). Basic premise is that four friends from high school go backpacking across Europe the summer before they start college. However, when the group moves off the beaten tourist track, they find themselves involved in the centuries-old practices of a town on the brink of destruction.


Yes, it's a plot you've probably seen a dozen times on SyFy channel, but Libba Bray pulls it off with a lot of class and genuine fear. The dynamic of the relationships between friends, watching them shift and deteriorate as the situation gets more extreme, is fascinating and powers the story nearly as much the plot. Also, I loved reading about a male protagonist, and a multi-ethnic one to boot (YA authors, more of this please). The romantic drama was appropriate; mentioned often enough to establish it, but not so often we want to hit Poe for not making his move.

The twist at the end, when we discover the villains, is a little predictable but not in a way that hurts the story. The ending itself is mostly satisfying in how it ties things up, but makes me want to hear more about Poe and his adventures.

My biggest complaint was the writing itself. It's not bad by any means, but I love Libba Bray and am used to the shining, sterling quality of The Gemma Doyle Trilogy and now Going Bovine. In Nowhere is Safe, you can tell that it was rushed, especially when paired with her longer works.

This gets to the roulette aspect of anthologies. It's hard to tell what you're getting. Even if you know and like the authors whose works are included, there's no guarantee that they'll hold up quality wise to other stories you've read by them. Some authors excel at short stories while other need 400 pages to really make it work and express themselves completely. And it's hard to know whether an author will fall into one category or another until you read both types of writing.

I just started Cassandra Clare's story. When I get around to finishing all the stories, hopefully I'll sit down and write a full review.

The other book I started reading this week is A History of Violence by John Wagner, illustrated by Vince Locke. More on this later in the week. Until tomorrow.

Planning your untimely demise,
Maria D.

*MJ, if you ever find this blog and read this post, I still love you long time. Promise.